Posts Tagged ‘Why do we need to look back?’

Going off of yesterday’s post, this is a video that we used not only during our workshop with MIRA, but also used during our planning and discussion about what we wanted to cover.  It brings up a lot of questions on personal, interpersonal, institutional, and cultural levels.  It shows how racism infects and deforms even our most intimate relationships, how it can be passed down generationally, and the lasting trauma it can cause.  We had a great discussion after watching this together at our workshop, and we hope Ise Lyfe‘s amazing performance can be a resource to you, too.

Do words and phrases have genders? What type of people come to mind when the word “war” comes up? How about “sewing circle”? And which one of these do we take seriously? One is organized violence, the other is organized labor. One has countless books and movies, as well as trillions of dollars, dedicated to its analysis and propagation each year. The other is often used in this part of the world as a way to trivialize a group of women socializing with one another. War, despite its unimaginable cost to women and children throughout history, is seen as an exclusively male endeavor. Sewing circles are, as mentioned, a female space. War is destruction by unquestioning soldiers carrying out unquestioned orders. Sewing circles are constructive– not just for the clothing and other articles they produce or mend, but also for the so-called “gossip.” Not to idealize the concept, but socializing in a circle provides a space for an exchange of news and ideas, as well as the time and space for reflection and thoughtfulness. War is seen as a measure of strength. Sewing circles have become a metaphor for pointlessness.

More than a few times since I’ve been involved in the “social justice” non-profit world have I heard meetings described as sewing circles, which not only deride the stated purpose of whatever meeting but also the people participating in it, who are often women. Planned actions, on the other hand, are often framed in war language. “Battles”. “Going on the offensive”. What this adds up to, to me, is the feminization of reflection as a way to discredit it. It plays into traditionally patriarchal notions of leadership and organizing which value speed, hierarchy, and force. It also frames thoughtfulness, slowness, and deliberation as inefficient and wasteful. It reflects the values of the mass culture we live in, where characteristics associated with women– such as gentleness and openness– are seen as unfit for grappling with or wielding power.

It is important to see what this means for those of us doing social justice work. When reflection is feminine, and the feminine is despised, we cut ourselves off from a deep source of individual and collective power. Any discussion of freedom is meaningless if we do not have the freedom to process what is happening to ourselves and the people around us. If we can’t, or won’t, do that, then all we have at our disposal are unexamined ideas given to us through education– an education provided largely by school systems which have been seen as broken as long as they’ve existed, by a media system controlled by a few large corporate monoliths, and by our communities that are often both products and survivors of trauma. Without real, rigorous reflection, it is difficult to do anything through our work except reproduce or escalate the existing conditions.

For two years, this Project held story circles across Boston, inviting neighborhood residents to come into our circle and share their experiences with desegregation. Often, when people told their stories, they would begin by trying to fit their personal details into an already established narrative. For example, that “busing ruined the city” or that “both sides experienced hatred”. Not to say that these are false or wrong narratives, but no matter how “true” they are, they are also the entrenched ones that have allowed patterns of inequity to persist. As their stories went on, though, and they tried to follow both threads (their personal story and the larger narrative) to their ends, you would often see people struggle, or they would start sentences and then trail off. Words would fail them. It was like they had come up against a brick wall. They had reached the limits of both their personal story and the larger narrative. And here was where, in a quiet circle with no interruption, we saw a variety of reactions. Some people would just stop and cede the floor, or get frustrated, or persist and find some new piece of knowledge. Any route can potentially offer opportunities for reflection for both the person telling the story and the people listening. It allows us to see how firmly in place the established narratives are and how challenging it is to uproot them, even if our personal experience tells us they are insufficient. It allows us each to build and play off of one another’s stories, to see things in our own histories we never saw before, and to further our understanding of our place in a larger history.

Learning is an uncomfortable process. It is a struggle. It brings up feelings of uncertainty, vulnerability, and weakness. These are characteristics associated with the feminine. But it does us no good to ignore these feelings. In fact, those are the spaces where the most work can be done, because they are also the places where the entrenched narratives steer us from and don’t want us to go. We need to sit there and examine them individually and collectively so that we can work towards the kind of “two-sided transformations” that longtime activists and leaders James and Grace Lee Boggs believed were necessary, where, through our persistence, we transform both our institutions and ourselves.

On Thursday, November 20, WBUR ran a piece on-air they called “’A Fear of Going to School’: 5 Former Boston Students Reflect on Busing.” In it, they played clips of a conversation between 5 former Boston Public Schools students who were bused as part of the desegregation plan put into place after the 1974 court decision. The personal stories shared on the program spoke to a lot of the personal and community trauma that occurred at the height of the crisis, and how that trauma has lingered since then. Each person’s story encompassed a lot of emotion and evoked the intensity, fear, and uncertainty of the period. The five participants should be thanked for being willing to share their stories with a larger audience, and, in fact, some of them had already participated in BBDP story circles prior to this piece. What drew my attention, though, in listening, was the way the program framed these stories. In our work, which has focused in part on collecting personal stories from before, during, and after desegregation, local and otherwise, we have always found the focus on the violence of the period to be a way of limiting how we talk about what happened. When we speak about desegregation and only talk about the extreme instances, we run the risk of losing track of historical context and the relationships to power of the groups involved. Listening to the WBUR program, it was discouraging to hear not only the lack of context provided to the listener, but also repeated uses of misleading language that serve to fit the same old story we’ve been telling for forty years, as well as the interests of power today.

What does it do to our perception of public school desegregation in Boston (and by extension, nationally), when the producers of the program, positioning themselves in an “objective” role, repeatedly refer to the desegregation plan as an “experiment” or “an uncontrolled experiment in social engineering”? And, further, as the producers of the segment are tasked with editing the conversation and selecting which clips to play, what do we make of them giving significant airtime to one participant, Tom Murphy, a white man who spoke at length about how the court order “artificially disrupted the environment of an otherwise vibrant city”? What picture does this paint historically? If desegregating the schools was social engineering, then how do we characterize the social order that existed beforehand? The producers do not address this themselves, but Murphy is given time to talk about how population movement occurs “naturally” and that government shouldn’t get involved.

I think that the timing of this radio piece should also be noted. In Boston, currently, if we are still “in the process” of gentrifying, we are pretty far along in that process. Simultaneously, the public school system locally (as well as nationally) is under assault from “school reformers”– one being bankrolled by noted grassroots activists like Bill Gates, the Walton family, and Goldman Sachs. So how does looking back in the manner WBUR has chosen resonate today? For example, whose interests does it serve to paint being a student in the Boston Public Schools as akin to being “embedded in a war zone,” as one of the participants in the story recalled? Does that encourage listeners to draw connections to images of today’s public schools, which are commonly painted as “broken” by the media? Similarly, how do we view people fighting their displacement from the city when we’re encouraged to look at population movements as “natural”, with no consideration of race or class?

A program that uncritically uses the familiar narrative of “busing pitted everybody against each other” and that “violence was endemic” on all sides serves to erase the larger patterns of history and power that the desegregation period came out of. It does the work of creating and evoking a pre-desegregation past that was free of problems before an activist judge and government forced unwanted changes down the city and country’s throat, “pitting everybody against each other.” This image erases hundreds of years of Black activism around education. It erases practices like redlining and blockbusting, as well as federal government policies that subsidized the suburbs for new white homeowners while tightly controlling where Black people could rent or buy. The WBUR program provides an interesting look into some personal stories, but frames them in a way that does a disservice to the social location of their participants and recycles the same conversation we’ve had about education, turf, and money since long before Judge Garrity made a decision. What we need is to see these patterns, so when we see the cranes hovering above Roxbury and East Boston, or hear the supposed benefits of the Olympics, or hear the “low-performing” rationale behind another public school closing, we can ask critical questions and take critical action.

Tell YOUR Story

Posted: June 11, 2014 by Donna Bivens in Uncategorized
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In a wonderful recently posted TEDx Roxbury Women talk, City Councilor Ayanna Pressley speaks to the power of story. As she says, “behind every statistic there is a person, a story, a testimony begging to be told”. This could be a motto of BBDP!

She lays out beautifully the power of our K-12 education stories and how our lessons there can deeply influence our life trajectory–our values and passions, our commitments and life purpose.

This so aligns with what BBDP has encountered in story circles and interviews. The more we listen the more we begin to make out the tapestry of experiences and understandings that have led us from Morgan v Hennigan to today.

We hope you enjoy the talk as much as we did.

There’s been a bit of an uproar as of late surrounding some reorganization in the BPS, and a perception that history would be taking a back seat/ folded into English Language/Arts. Superintendent McDonough has responded strongly, even signing a petition that has been circulating. Forty years after school desegregation in Boston we believe every child in Boston should learn this history of all the communities in Boston, but for this to be possible, the Boston Public Schools needs a strong History department focused on providing content relevant to the young people in the city today.

The most common refrain we hear from young people around the city is “Why didn’t I know this? Why didn’t we learn about this in school?” It is our understanding that Facing History does have a curriculum around school desegregation, and some teachers do make an effort to include this history, but the Massachusetts Curriculum Frameworks require Little Rock’s school desegregation be taught, rather than Boston’s. If nothing else this perpetuates the belief that school desegregation and racism was/is a southern problem, rather than a northern one.

Why is it so important that young people have a strong sense of history, and learn Boston’s school desegregation story? For us, history is a critical sixth sense – a way of understanding and knowing the world around us. In a public hearing about the BPS budget where the consolidation of the English and History departments came up, Councilor’s Tito Jackson and Charles Yancey both brought up the importance of teaching history that is culturally relevant to young people in our city. This means we need both a global history and a local one – one that helps students understand how we are where we are today, how the past has shaped our current experiences.

What we’ve heard is that learning about Boston’s school desegregation crisis (including the events leading to and stemming from that crisis) helps young people to better understand the system and city they are in today. This came up most recently at an event organized by the Massachusetts Asian American Educators Association, in a talk by Lorrayne Shen, a community organizer who wrote a senior thesis on the Asian experience during desegregation in Boston:

I think if I heard this story when I was young it really would have changed my life. It’s really important to know about our history as Asian Americans, and know about our involvement in the Civil Rights Movement.

We’ve heard this perspective again and again – from young people, from educators in training, from adults working in BPS – we need to know our history, and we don’t know it very well. We’re glad for the advocacy efforts around strengthening history education in the BPS, and we hope that some day soon we hear that BPS students are graduating with a strong sense of history and their place in it.